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Newsletter

People buy people, not brands: The human connection

Hello!

I’m back in St Leonards after two days in London. I interviewed Taha Siddiqui about his excellent new book, The Dissident Club: Chronicle of a Pakistani Journalist in Exile, and went to the Publishers Summits and Awards.

I missed the first two sessions (took the wrong tube to Vauxhall and got lost wandering around the concrete jungle). Thanks to 

Rich Headland who kindly sent me his Inbox to Income workshop slides and some notes.

I did the Newsletter track, which was packed. The Print stuff was on next door at the same time, so I needed a buddy to swap notes with.

Here are some learnings from the sessions. It was very dark in there, so I used my phone as a torch, which ran the battery down (why is there never anywhere to charge up in nightclubs?). I need to bring a power bank and spare pens – it’s very annoying when your pen runs out mid-scribble.

Personality is everything

Much talk about putting a name on a newsletter for growth and loyalty and great to see so many publishers making their staff the stars. We heard from Dominic Rech at The Economist and Andrew Palmer, author of the Bartleby column, on why they’re making their podcasts and newsletters more personal.

The FT’s Sarah Ebner talked about the value of staff-led newsletters for retention and how they use voice more. In Central Banks, Chris Giles talks about what he knows and “readers love the expert voice.” Successful newsletters are where people build a relationship with a writer. Rob Armstrong and Steven Bush are two big voices at the FT.

If you’re worried about investing in a star writer and they leave, build out more big names, not just one person. Columns allow you to have more voices. But “don’t worry about big personalities leaving. Build them up; they’ll probably stay. Or you’ll find new folks.”

Sarah also said not everyone is suited to newsletter writing: “There are some reporters who can’t get round using ‘I’ in newsletters and responding to comments.” It’s not for everyone.

Neil Macdonald at National World shared lessons from their first-ever paid limited edition newsletter series, Scottish Golf Courses You Must Play (I wonder if Trump subscribes?). “Trust your journalist and expert voice with a massive depth of knowledge.” They worked with Martin Dempster, a golf writer who is passionate about the subject. They had buy-in – he was invested and helped create and shape the newsletter’s design.

Rosie Percy said Hearst is leaning more into personality-led newsletters, which helps with conversion. Esquire’s About Time newsletter: “People will read 6,000 words on watches!”. Red Magazine’s Love Red VIP newsletter gives you access to editors, content, and events, e.g. styling suppers, which you wouldn’t get elsewhere.

Henry Seltzer at Bloomberg: “We’re seeing a lot of success with our personality-driven newsletters. We’re seeing value in smaller, more engaged newsletters.” Substack and the rise of the individual newsletter have opened people’s eyes to what’s possible.

Joshi Herrmann at Mill Media: “Substack has made us realise people will pay for low volumes of content as long as they’re differentiated (voice). This is an enormous shift in thinking (and logic of online business models). People can charge more. A very exciting change that will grow a lot.”

Rob Parsons set up Northern Agenda in 2021, bringing you stories from the north outside the Westminster bubble. The newsletter comes from him, not Northern Agenda, and he’s added personal touches because “readers engage with a person better.”

Zoe Paskett at LMAOnaise said her TOV was extremely clear from the beginning – “it’s just me”. She’s carried that TOV across a print publication and digital magazine.

The afterlife of a pop-up newsletter

Publishers are experimenting with this, but what happens after a pop-up newsletter or course ends? Katie Binns at The Times shared some tips & tools to nurture temporary subscribers into other parts of your funnel – from affiliates and subscriptions to other newsletters. She edits Money Mentor, which has run pop-ups like Couch to £5K (no issues using this name!) and Pension Power Up.

She said people stayed after it ended, so “design your pop-up with the next steps in mind. Make sure what comes next leads somewhere valuable. You’re warming people up to go deeper into your brand.”

Great to hear someone so passionate about pensions. “People love pensions; they just don’t know it!” Helpful stuff most of us have our heads in the sand about! I have one but need to up my game.

Neil Macdonald on their limited (but evergreen) golf series. For £9.99, readers get 12 newsletters across two weeks, including ten that each look at a different golf course across Scotland. ‘Quality is paramount’ and ‘Sell, sell, sell – get comfortable with the hard sell!’ Get feedback with reader surveys.

Substack for community-building

Jenna Thompson shared what Reach has learned after two years of experimentation with free and paid newsletters on Substack (they’re also testing LinkedIn). Super smart to take advantage of audience growth and revenue tools on Substack (comments, notes, chat, recommendations) and lean into curated digests around topics.

“The main driver for using Substack is to grow a community.” She mentioned The Valiant (Port FC newsletter) and how reporter Mike Baggaley has made it feel like a ‘shared endeavour’ with readers by spending time in the comments and using feedback to shape future issues.

I like how Reach is “creating a community of newsletter authors” and giving them a space to chat. Very important not to have silos and to create connections, as newsletter writing can be a lonely job.

Good writeup from Charlotte Tobitt at Press Gazette on this session.

The power of teamwork

This was also a big theme. Neil: “Trust everyone” – it’s a multi-skilled team. He also said how nice it was to talk to people (in our breakout group) ‘who get it.’ i.e. our eyes don’t glaze over talking about newsletters. Andrew said the team behind Bartleby make the reach and quality better than as a soloist.

At the awards, most of the winners dedicated their awards to teammates who weren’t there.

It’s bloody hard for solo creators doing everything. Zoe said growth “is a constant struggle. You’re always pushing. You can’t sit back and wait for growth to happen on its own.” Collabs and partnerships are the way to go if you’re solo. Substack is working on tools for this.

A bit depressing to hear Rob and Zoe haven’t had much financial success yet (Rob has Reach’s support, Zoe has no backers). Next year, it would be great to see more money and investment in the newsletter space and hear about founders taking home proper salaries.

Some other tidbits – it takes Steven half a day to write the Bartleby column. 1x hour ideation, 2x hours writing, 1x hour editing.

I chatted with The Sun’s Engagement Editor, who said they’re ‘feeling the pull of Substack, but haven’t gone there yet’. A speaker ‘hates Mailchimp but is resisting Substack because he doesn’t want to be part of the ‘enshittification of Substack.’ Lol 🤞

And a couple of quotes I loved. A reminder from Rosie that being in someone’s inbox is a privilege, and we need to respect that. “I want it to read like a letter from someone I know, not just a series of links.”

Henry on the joy of connecting face-to-face: “When I’ve gone to some Substack events, I’m shocked by how many people show up and how passionate they are. People are just really hungry for in-person newsletter events.”

Thanks to the Media Voices team and sponsors for a brilliant event and making me feel so welcome. They had a few setbacks (the original venue closed, giving them SIX WEEKS to find somewhere new 😳). Host Chris Sutcliffe broke a tooth and needed emergency dental treatment – you couldn’t tell!

Exciting to hear MV have been bought by Flashes & Flames – the global media business weekly which started out as a newsletter so watch this space. I like the scrappy energy though and that it’s not shiny corporate.

Next year, I’d love to hear from more solo creators making money and building without burnout. Some growth tips from the platforms – 

Substack Team, Beehiiv, LinkedIn, and Ghost. And we could build a creator house for collabs and cross promotions.

Great to hear the record shops of Hastings & St Leonards are on Rich’s radar for Record Shop Stories. Just sent him a new one – (bacon) Roll with the Vinyl.

Nika

🏆 See the full list of winners here.

Categories
Blog Newsletter

Bold Types #12: Philip Hofmacher on building business with heart 🇦🇹

Bold Types: conversations with creators on courage, craft, and creative living.

Today’s guest is Philip, a passion-driven entrepreneur from Vienna who helps online writers make more money through their expertise.

Philip created his first online course on Skillshare in 2015 and has been serving students since. He loves to explore digital business models and is passionate about community-building – creating cosy spaces where people stay.

Community is the future of learning. People seek connection, accountability, and support, so investing in a community now is one of the smartest long-term moves you can make.

During the lockdown, he and his fiancée and business partner, Sinem Günel, started two digital projects that have since grown into multiple six-figure businesses annually.

Their latest venture is the Write • Build • Scale Mastermind, where he, Sinem & Jari support writers through actionable resources, weekly live coaching and a private community.

We chatted about growing your list and community, his income and influences, and what ‘success’ means to him.

At 33, I’m super impressed with what he’s achieved and how he and Sinem play to their strengths. “She’s the typewriter in our relationship, and I’m the calculator.” I like this sensible approach to the ‘creator economy’, that your ‘creator business should be boring’. 💯 Save the drama for life!

Congrats to you both on your engagement! They’re getting married in 10 months.

Enjoy our chat!

Cheers, Nika 🥂

This is an excerpt from my business and creativity newsletter The Shift. For the full experience, sign up here.


The Shift is here to help you live a life well-lived. If you enjoy my work, consider supporting it by becoming a paid member—and enjoy these community perks!

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Newsletter

AI and You

Desk Notes

(Please excuse the mess…still building dreams) 💫

AI or DIE was the theme at #FixFest (copywriting festival) in London this week. Just looking at what people have been saying online, how they’re feeling about all things AI, and what side of the fence they’re on. 

AI is having a massive impact on the industry. Some clients want you to embrace it, others don’t want you using it at all – it’s hard to know where to position yourself. Leif Kendall at ProCopywriters is working on a ‘Code of Ethics’ for the community.

Fix Fest’s official poet-in-residence, Natalie Moores did “the world’s first LIVE AI Poetry social experiment.”

The hypothesis was this…. Could generative AI be used to bypass the years it takes for a poet to find their voice and actually go one step further in creating a democratised mass poetic voice from a room of copywriters?

Here’s the poem (Humans + Claude)… read the full story.

This is a LinkedIn excerpt from my newsletter. For the full experience, subscribe to The Shift.

Categories
Interviews

Bold Types Q&A #10: Christin Thieme 🇺🇸

Since 1999, I’ve been writing online and interviewing creative folks I admire about courage and craft. I love learning from others’ journeys & experiences and want to help more ambitious solo entrepreneurs—especially women—impact the world with their personal stories. And make a shit ton of money!
Inspired by the book ‘Bold Types: how Australia’s first women journalists blazed a trail’ in the fight for gender equality, I’ve launched the Bold Types Q&A series.
Here’s the 10th interview, featuring Christin Thieme, creator of The Content Brief and host of The Content Spark Summit – Nika 

Christin is editor-in-chief of The Salvation Army in the western US, where she tells stories about people making an impact for good and prompts others to action. She holds a master’s degree in specialized journalism from the University of Southern California, has taught journalism, and helps creatives simplify their content strategies on Substack.
Welcome, Christin! ✨

What problem is ‘The Content Brief’ solving?

I help creatives simplify their content. Anything we create and share is an invitation to connect, and I want people to have a plan and a workflow that is exciting to show up for.

I hold a master’s in specialized journalism, have worked for nearly two decades leading a content marketing team for an international nonprofit, and taught journalism and communications as an adjunct professor. Content is what I eat, sleep and breathe if you will. 

After helping friends strategize how they could better connect with the right people online around their makeup artistry, barbershop and even psychology practice, I saw how overwhelming this world of content is to people who aren’t necessarily in it daily. I enjoy helping people break it down into something more tangible, sustainable, and real-life approved, so I’ve taken up doing so here on Substack.

If you’re feeling overwhelmed, frazzled, and frustrated with how you show up online… If you want to better connect (and convert) people to your ideas and your work… 

The Content Brief is for you. I’ll help you take control of your content so you can stay in your zone of genius.

What’s always on your desk?

At my full-time gig, coffee, water, a Blackwing and my Airpods. At home, I’m often typing straight into my Notes app between baseball practice or bath time.

With three boys under six, I love and live by the Julia Cameron quote:

The ‘if I had time’ lie is a convenient way to ignore the fact that novels require being written and that writing happens a sentence at a time. Sentences can happen in a moment. Enough stolen moments, enough stolen sentences, and a novel is born—without the luxury of time.

I also printed out a screenshot of my first-ever paid subscription and put it in a little frame to remind myself I might be onto something, to keep going, and to keep finding ways to be helpful as I build this community.

What are you struggling with right now?

Time! I have so many ideas, but we all only have so much time, so I’m constantly reminding myself to focus on what moves the needle. This week, I am largely wrestling with delivering a virtual summit I’m hosting: The Content Spark Summit.

This free full-day event on Substack June 27 is meant to help you spark meaningful connection with your content. From understanding the importance of engagement to creating a content strategy you can’t wait to show up for to fostering genuine connection and leveraging your unique expertise and experience, 14 expert speakers will share what they know.

And I’m working on getting the word out…so please come! Grab your free ticket here.

Best business advice received this year?

Just this other day, I saw this quote from Seneca: “You must match time’s swiftness with your speed in using it, and you must drink quickly as though from a rapid stream that will not always flow.”

He may have been a Roman philosopher, but the advice holds today:

Keep a bias toward action. It’s easy to hide behind planning, plotting, and perfecting (I know!), but the impact you want to make can never take hold until you actually take action.  

Tell me about your newsletter strategy, its value to your business, and how you measure success.

Right now, I’m in an awareness-building phase, focusing on free subscribers, which is part of the strategy behind the summit.

There are three ways to engage with me at The Content Brief:

  1. As a free subscriber, you get each of my posts to help you create a newsletter you love *without* the overwhelm. Things like: What to do with your story, questions to find your content sweet spot, and a template to write your personal bio. Plus, my monthly content report of things I’ve digitally dog-eared and Creator Briefing Q&As with other creatives, like this recent one with Lucy Werner.
  2. As a paid member, you get access to my quarterly content planning party, where I’ll help you plot out your next three months of content. The next one happens in August and will help you create a plan to show up consistently, with intention.
  3. And as a paid member of The Briefing Room (the founding member tier), which I’m just about to launch, you get exactly what you need to design or redesign your newsletter content strategy with ease, including my exact simple content system, an all-in-one dashboard workspace, and a monthly brief on one specific thing to reset to keep your strategy fresh. It’s all designed to save you a lot of time and frustration so you can have a bigger impact with your newsletter.  

If you Join The Briefing Room before September, you get a bonus 1:1 Content Strategy Session with me!

I’m also building in ways to collaborate and share with other creatives. I hope The Content Brief becomes a vibrant community that supports each other in what can sometimes be a lonely endeavor.  

What important truth do very few people agree with you on? Or your ‘spiky point of view,’ Wes Kao calls it. 

Providing value doesn’t mean having all the answers. 

Creative work that inspires an audience and builds a community (and business) doesn’t require anything stunt-like, viral or wildly innovative.

We don’t have to show up as “experts,” with all the answers ready to guide others to the big transformation. Trying to do so often leads to becoming another faceless creator of tips & tricks and *value* in some Wikipedia-esque, robot-generated “I have it all figured out” status quo.

And the problem is…that says nothing of the journey.

You could have the most well-researched writing in the world, but if it feels like nothing more than a robot production, it won’t get read.

Conversely, you could write about your life as a dog walker, and if you’re asking questions that take us on a journey and leading a conversation from your perspective, every word will get read.

To provide value, you need curiosity, questions, and a yearning to explore. It means being willing to lead the conversation and invite us on the journey of an idea in real time through your content. People don’t want to see processes, deliverables, skills. We want to see perspective, relationship, transformation—and that means your point of view, personality and perspective.

Last week, I wrote about why I hate the word ‘content’. It’s become a catchall term for everything we make—words, video, audio—invading everyday talk and devaluing the creative process. What’s your take on it?

This is SUCH an interesting question and a sentiment I’ve seen pop up recently. I’ve never thought of it negatively. I think of it like the word “box”—a catchall term that encompasses so many different specific things but one word that gives you the gist. 

I’m sure some of the negative vibes toward the word come from the push for “top ranking” and “click-worthy” content that doesn’t deliver, but for me, it’s just a succinct way to describe the many ways we invite people to connect with us. 

That’s what content is, in my view, whether it’s a newsletter, podcast, social post, and so on.

When you create and share something, you invite others to connect with you about your ideas and work. Of course, if you are specifically a podcaster or a novelist, say that. Lean into concrete specifics over summary words whenever you can.

How have you shifted from ‘creating content’ to ‘building community’ on Substack?

With a relatively new newsletter on Substack, I came in knowing I wanted to build a community. I love to plan parties. I love to build everything around a specific purpose. To carefully word the invite. To think through the menu. To find the right party favor. To design the table. To welcome everyone in. To surprise and delight. To make them feel loved.

I feel the same about crafting my own little club right here on Substack. Building a newsletter and community is the ultimate gathering. And I’m here to party. 🎉

Can you recommend some resources for entrepreneurs?

The Elements of Style by Strunk & White—I love this illustrated version of the classic go-to guide for writers on how to “make every word tell.” (It’s also one of my favorite gifts for the creative types!) 

Building a Storybrand by Donald Miller—The best how-to I’ve seen on using words to talk about your product or service. It’ll help you define a clear message on how you can help potential customers. Worth re-reading annually. (Here’s my full list of favorite books to improve your writing for more.)

And I’ve truly been loving 

Lucy Werner‘s community, 

Hype Yourself, for learning how to generate your own buzz.

Are you using AI tools? If so, how are they helping you work better/save time?

Yes! I call Chat GPT my intern. I love using it to prompt my thinking, research subjects, synthesize interviews, and spot holes in them. It also helps repurpose my hero content into supporting pieces.

My goal is to create one Substack post a week and then repurpose it into snippets and teasers for my supporting platforms. To help save time prepping those shorter pieces, here’s a basic starter prompt I use:

I am a [what do you do], and I need to create a social media post based off a newsletter I previously wrote. The audience is composed of [your audience.]

Use this text to write 3-5 short-form teaser pieces of content for [platform] that highlight the main points, benefits or offers of this newsletter. Ensure the tone is [your tone].

Include a CTA at the end to subscribe to my newsletter, [your newsletter name].

Here’s the newsletter: [paste copy]

Using that prompt on this recent post of mine, here’s the first two of the five posts it generated:

Not bad for a first pass. I always edit the intern’s work for quality and to sound more like me, but the beauty is you’re not starting from scratch.

Best coffee & coworking in your town?

I haven’t done any local coworking, but my favorite coffee shop to work in is The Boy & The Bear in Redondo Beach, California. It has an aesthetically pleasing dark, earthy, “let’s get to work” vibe and good coffee. Win-win.

Do you have a question for my next guest? 

What do you love about your work? 

Where can readers find you?

Please come visit over at 

The Content Brief!


Check out all the interviews in the Bold Types series.

Categories
Newsletter

I hate the word content | Issue 155

Desk Notes

(Please excuse the mess…still building dreams) ✨

I hate the word content. Since the dot-com boom of the 90s, it’s become a catchall term for everything we make—words, video, audio—invading everyday talk and devaluing the creative process. 

“It’s like seeing a cereal box at a store labeled ‘Food (100 grams)’” – Mitch Trachtenberg on Medium. Yes!

I got my first journo job on Country Walking mag in 2000 when Emap was digitised. Many mags were rolling out websites, and they needed loads of copy. A golden era for online publishing—you could be paid well for your words and make decent money online. 

Along came CopyBlogger in 2006 (when Julieta was born), and I started blogging on the side. The Content Marketing Institute was set up in 2011 – a sexier and more relatable term than ‘custom publishing.’ Businesses saw the potential of marketing through email.

Twenty years on, everything and its dog is now labelled ‘content.’ 

I just checked how many Substacks have ‘content’ in the title/description – 100+.

I’ve struggled with this as a small business. How do you differentiate yourself when we all ‘work in content’? I’m still wrangling with taglines: ‘Smart, thoughtful content solutions’. ‘Copy solutions’ (sounds like a print shop). ‘Editorial solutions’ – not catchy. I might go back to saying ‘I’m a writer.’ I’ve taken it off my LinkedIn bio even though I’ve been hired for roles with content in the title. 

I write. 

I curate. I publish.

I write some marketing materials.

Let’s stop calling it content

I’ve seen many articles about this, across industries, so I’m not alone.

We’ve taken a term for websites and sprinkled it around on pretty much everything. Like a virus, it’s spread — and by definition, it cheapens everything we do. Because the word ‘content’ is just about as appealing as ‘principal substance’ or ‘filler’ or ‘Soylent.’ It sounds like disposable stuff that appears by happenstance, like plaque or lint.

  • 10 questions with… Cindy Gallop [The Drum]: “If you could ban one buzzword or piece of jargon, what would it be?” 

“Content.” 

  • Oscar-winning actor and screenwriter Emma Thompson at the RTS Conference [Variety], “To hear people talk about ‘content’ makes me feel like the stuffing inside a sofa cushion. It’s just a rude word for creative people.”
  • Writer Clive Thompson: Let’s stop calling it “content” – this got me thinking about the importance of words and how they shape our understanding of the world (and whether a term useful for referring to the whole detracts from the parts).

He says the word ‘content’ is widely used by designers and UX folk because it has an industrial meaning and a specific purpose. We have content design and content strategy as separate disciplines with some crossover. We have ‘content teams’. I can get on board with that.

What I can’t stand is how it’s crept into everyday use (especially in business) as a term to describe everything and all forms of creative expression. 

“Quentin, I just love your content!”

Where are we going with it all? I worry about the rise of ‘AI-generated content’ – being trained on trillions of tokens (carbon footprint!!) and the industry’s growing interest in writing via AI (one of the key issues of the writers’ strike).

Tech companies are so hungry for new data (the internet’s not big enough) that some are developing ‘synthetic’ info – i.e. systems learning from what they generate (this NYT piece went viral) #mindfuck.

So, time to put a stake in the ground! Keep up the fight for more clarity and specificity in language and life so we can better understand and relate to one another.

We live in a complicated, fast-moving world, and I get the need for simplicity, abstraction, and mental shortcuts. It’s convenient but lazy to lump all creative work as ‘content’. 

Spot on, Emma. We don’t wanna be stuffing in cushions! 

OK, so what should we call this stuff? 

John Long says be specific:

If you’re making social media, call it that. Or, to be more precise, social campaigns, social videos, and social posts. If you’re making short films, call them that. Copy for a website isn’t ‘content’—it’s website copy. Pictures are photography, images, photographs or illustrations. Podcasts are podcasts. Same goes for editorial, feature articles, white papers, brochures, and packaging copy.

Clive Thompson (replying to the VP of Content at Medium):

It’d probably be good – to, whenever possible, talk about the stuff that people write on Medium using the specific words that apply: Essays, memoirs, explainers, what have you. Even referring to a “post” and a “comment” is more specific than “content”! 

Language matters. I’m with Jason Bailey [NYT] on this:

The way we talk about things affects how we think and feel about them. So when journalists regurgitate purposefully reductive language, and their viewers and readers consume and parrot it, they’re not adopting some zippy buzzword. They’re doing the bidding of people in power and diminishing the work they claim to love.

What about you? Do you use the word ‘content’ or hate it too? 

A quote from Clive Thompson asking us to stop calling all creative work 'content'

Other words I’m coming for: ‘Creator’—simplifies and minimises it. ‘Widget’—what the heck is it? ‘Sticky’ (usually content). ‘Consumer’ ugh. ‘Subscriber’. Too transactional. If I write marketing copy to sell something, it’ll be a separate email.

‘Slop’ – a new term for dubious AI content, is a keeper 😁

Something to discuss with the Substack crew at The Content Spark Summit with Christin Thieme—a FREE full-day virtual event on Substack June 27 to help you spark meaningful connection with your content. 

I’m doing a Q&A with Christin to get to know her better so will share that next week—can’t wait to hear her thoughts.

You can book your ticket here.

Nika ✨


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I help founders make a global impact with their stories. Life’s too short to play small. 

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